Young Blood

It is essential that new work by young designers is actively encouraged. These people will become the lifeblood of our industry and must be given the opportunity to show their stuff. One installation I visited last week near Enfield, just north of London, was just so exciting. Sadly not on public view, the use of bold colours and sweeping curves throughout the rooms was breathtaking. While the style was reminiscent of the late 60’s and 70’s, it had a freshness which removed it from the excesses of those heady years. The designer made great use of burgundy and rich browns, adding highlights of stunning saffron and opulent shiny gold. Any emphasis on softness and discretion had gone. There was a real feel of the East about the place. The simplicity of the design disguised the considered thought which must have gone into every aspect of it. The blend of ceramics and wood, the skilful use of mirrors to accentuate wow points, and a strong mix of direct and indirect lighting, it all served to draw one into this magical creation. While comprehensive training is absolutely essential for these youngsters, really talented designers just have a natural feel for what goes. Viewing this standard of work is a pleasure and this recently completed project in leafy Enfield was inspiring.